waldenfestival.de

The international group exhibition Radical Hope examines how artists from modernity to the present day have approached the theme of worker resistance – documentarily, poetically, critically, radically, in solidarity and from personal experience. In the early twentieth century, art brought working-class struggle against social injustice into focus. From the 1960s, labour struggles influenced artistic practice when artists themselves went on strike.
And beyond the realm of art, resistance against working conditions has, to the present, generated impressive images and practices that move in step with global developments. Gelsenkirchen is also home to a feminist chapter in the history of worker resistance. In the early 1980s, female workers fought for equal pay, thereby becoming part of a European movement which also included the campaign ‘Wages for Housework’ initiated by feminist artists in Italy. Both positions feature in the exhibition, which highlights various artistic perspectives and practices within the labour movement and at the same time looks at the manifold overlaps between different aesthetics
of protest in art and everyday life.

Kunstmuseum Gelsenkirchen

Konzept und Gestaltung zusammen mit 
Philipp Arnold

95    15     25

At 01:23 local time on 26 April 1986, the worst accident ever recorded in the history of civil nuclear power occurred in Reactor Unit 4 of the Chernobyl Nuclear Power Plant. About 10 years later, in 1995, the German Hygiene Museum in Dresden commissioned the photographer Volker Kreidler to document the consequences of the disaster for people, places and the natural environment. This commission evolved through a nature study in 2015 and further trips to Kyiv last year, into a highly topical account of the current political situation in Ukraine. At the heart of the 2025 works lies the resilience of the people in Kyiv and the Exclusion Zone, also in the context of conditions during the Russian war of aggression.

Volker Kreidler

Hartmann Books

Buildings on Standby describes the vacant high-rise buildings A–E in Halle-Neustadt as places of uncertain future, where the possibilities/impossibilities of urban planning after socialism are being negotiated. For more than 20 years, four of the five tower blocks have been vacant and remain on standby – in a state of future-oriented avail­ability and a contested space between shutdown and reactivation. At the interface of actor-network theory and ethnographic urban research, the study examines this state in its temporal, material and political dimensions. It shows that buildings on standby cost a lot of energy, harbour risks and become a bargaining chip for trust and responsibility. The book opens up new perspectives on shrinking cities, interstitial spaces and urban transformation – in and beyond the post-socialist space.

adocs

In Things, Arne Schmitt explores an everyday yet complex cultural practice: going out for coffee. During a trip through Taiwan, he visited eighteen cafés, dedicating an essay to each—observations situated between global specialty coffee culture, local particularities, and personal encounters.
The texts are accompanied by eighteen photographs of stones found along the island’s coastline—contemplative studies of form and a homage to collecting stones on the beach.
The title refers to Georges Perec’s novel of the same name from the 1960s and the lifestyle of its characters shaped by objects and consumption, as well as to Albert Renger-Patzsch’s interwar photobook project and its focus on form. In his montage of images and texts, Schmitt brings these two lines together in a central question: is it legitimate, in politically turbulent times, to cultivate a pleasure in form?

anmerkungen-zum-index

spectorbooks

Outwards brings together a hundred individual portraits of men and women, showing them as individuals and, at the same time, as anonymous representatives of a diverse social fabric. Paired and grouped solely on the basis of external characteristics such as clothing or posture, the images, in their arrangement, also allude to algorithmic methods of systematisation and raise questions about spatial perception today in relation to pattern recognition. With an essay by Hanne Loreck.

Susanne Brodhage

Distanz Verlag

At the Still Point documents Baranowsky’s oeuvre, gathering central sets of works and methodological approaches from the past ten years. With essays by Kerstin Starkemeier and Maj Smozna.

Heike Baranowsky

Distanz Verlag

Kunstnernes Hus

www.dokumentart.org

waldenfestival.de

Soundtrax For A Bazaar von Franziska Pierwoss & Siska ist ein Tribut an das Livemusik-Restaurant des Türkischen Basars, das zwischen 1978 und 1991 florierte.
Das Projekt ist Teil von: Kunst im Untergrund 2024/25

flexen-flirren-fantasieren.ngbk.de

birkhauser.com

kuenstlerhof-frohnau.de

Workshop
Soft Skills - Hard Facts

Universität Greifswald
17.2- 22.2.2025

leopoldhoeschmuseum.de

tromsokunstforening.no

Public Art – The Advertising Column as a Mass Medium.
From 2020—2024, students of the Department of New Media and Applied Graphics in Fine Artsat the Caspar-David-Friedrich-Institute had the opportunity to present their artistic ideas on surfaces originally intended for commercial advertising in an urban environment.

“In summer 2011, Mica Moca Project Berlin took
over an abandoned warehouse in the centre
of Berlin. Our aims were to clash different
genres, encourage artists and audiences
to come together who wouldn’t otherwise
meet and to create as much new work as
possible that responded to the space. At
first we wondered if Berlin needed
another cultural space but from the overwhelming
response it was soon clear we
had touched a nerve and provided something
that was otherwise lacking. We
opened on May 8 and closed on October 2
having produced nearly 350 different
performances, engaging around 2,000 artists.”
Mica Moca Project Berlin e.V.

www.kunstmuseum-gelsenkirchen.de

strzelecki-books.com

The Dystopia Sound Art Biennial, organised by Errant Sound and this year under the artistic direction of Nida Ghouse and Georg Klein, will take place from 7 to 29 September in HAUNT/frontviews in Schöneberg and in the Galiläa Church in Friedrichshain. Featuring sound installations, performances, and site-specific projects by over thirty participating artists from fifteen countries, the exhibition will be accompanied by an event program that runs on all four weekends. From 20 to 29 September at KUNSTRAUM Potsdamer Straße, students in the Sound Studies and Sonic Arts program at the Berlin University of the Arts will also be represented at the Biennial for the first time. On 12 and 13 September, a symposium in the interim space of Errant Sound at Miss Read in Wedding will round off the program.

dystopia.berlin

errantsound.net

The Dystopia Sound Art Biennial, organised by Errant Sound and this year under the artistic direction of Nida Ghouse and Georg Klein, will take place from 7 to 29 September in HAUNT/frontviews in Schöneberg and in the Galiläa Church in Friedrichshain. Featuring sound installations, performances, and site-specific projects by over thirty participating artists from fifteen countries, the exhibition will be accompanied by an event program that runs on all four weekends. From 20 to 29 September at KUNSTRAUM Potsdamer Straße, students in the Sound Studies and Sonic Arts program at the Berlin University of the Arts will also be represented at the Biennial for the first time. On 12 and 13 September, a symposium in the interim space of Errant Sound at Miss Read in Wedding will round off the program.

dystopia.berlin

errantsound.net

adfd.info

The ADfD Gate blends collages, sculptures, and poetic expressions into a layered repre- sentation of migration, creating a fragmented yet cohesive visual experience. The project spans four locations in Berlin, offering a dynamic exploration of migration’s traces and memories accessible via the Monuments AR app.

Walden IV: Relay
Festival for sound art and performance

Walden is a festival for contemporary music, sound and performance art that will take place for the fourth time on July 6, 2024: at the Künstlerhof Frohnau and in the surrounding forest. Under this year's title “Relay”, Walden once again invites local and international artists to use the forest as a resonating body and stage and to approach the multi-layered history of this place in the former border area with performances, concerts and installations and to reimagine it for a day.

www.kuenstlerhof-frohnau.de

www.latent-cinema.net
+
archivebooks.org

Film Undone presents contributions introducing unmade and unfinished film projects, film ideas realised in non-filmic media, as well as films that remained unseen in their intended form and at their intended time. These tentative and careful probes dedicated to singular projects reflect the importance of primary materials before and beyond the film. Bringing them together as Elements of a Latent Cinema opens a space to consider cases from various political geographies and historical moments in relation. Latency prompts to think differently about what has remained invisible in cinema than under deficit-centred categories such as failure, loss, or incompletion. It marks a sustained potentiality for things to change their condition, to affect us and set us in motion.

doerte-eissfeldt.de
+
distanz.de

www.kunstmuseum-gelsenkirchen.de

www.joonfilm.de

https://www.leopoldhoeschmuseum.de/

Aquatic Sports Complex “Laguna Vere”
საწყლოსნო-სპორტული კომპლექსი “ლაგუნა ვერე“

more infos: TAA

Performance-Konzert von Terry Rileys „In C“ mit dem Seeingsounds Ensemble im Künstlerhof Frohnau, während der Open Studios 2023

kuenstlerhof-frohnau.de

Larissa Rosa Lackner

Edizione Multicolore

Ok bin da (heute als Buch)

Herzlich Willkommen, wie schön, dass ihr da seid ! Überhaupt etwas zu tun, das scheint mir gerade eine wirklich große Leistung, auch für mich selbst.

Weil so viele (Leute) gefragt haben, gibt es mich jetzt endlich auch als Buch. (Mich!) direkt miterschöpft

Auge um Auge, Essen um Acht.

Larise Rose Laggener (gestern bis morgen / hier und da / früher oder später), geboren, Künstlerin, überraschend und beobachtungsstark, malt bekleidet immer mal. Persönliche Vierschichtigkeiten unterstreichen ihre Farben des Jahrhunderts. Sie erforscht Geräte und andere Gefühle, die sich häufig in ihrem Alltag durchkreuzen. Das gewebte Kind! Sie ist Tochter einer Boulangerie und gleichzeitig Mutter eines Sinnbilds für Ambiguität. Sie ist blond und das finden viele Leute „besser“.

Die Durcheinanderreihung OK BIN DA – entstanden in Zusammenarbeit mit der schreibenden Fahrerin A.K. und der Gestalt Joachim Bartschess – ist heute hier als Fadenheftung zu erleben. Die Ölkreidebilder hat Larissa Rosa Lackner gemalt, die Textfragmente finden sich in anderen Zusammenhängen in den unendlichen Werken von Anne Kulbatzki.

Text: Anne Kulbatzki

Libken Sommerakademie Nr. 7

The annual summer academy is a one-week interdisciplinary workshop led by three experienced lecturers from the fields of photography, painting and graphic arts, inviting the participants to engage artistically with a changing thematic focus.

with
Photography: Barbara Proschak

Painting/Drawing: Marlen Letetzki

Graphic design: Jan Blessing

Libken e.V.
Ort Böckenberg 15 - 17
17268 Gerswalde

Images by Alexander Gehring

Film Undone

elements of a latent cinema

Berlin
Thu–Sun
20–23 July 2023

latent-cinema.net

Festival für zeitgenössische Musik und Performance
auf dem Künstlerhof Frohnau und dem ehemaligen Grenzstreifen

kuenstlerhof-frohnau.de

in collaboration with Cecilia Murgia

waltertiemannpreis.openbooksociety.de

www.kuenstlerhof-frohnau.de

Die britische Philosophin und Publizistin Mary Wollstonecraft macht sich 1795 im Auftrag ihres Partners auf die geheime Suche nach einer Schiffsladung Silber. Anfänglich in Begleitung ihrer 3 Monate alten Tochter und eines Dienstmädchens, später allein. Die Briefe, die Wollstonecraft während ihrer Reise an den Vater des Kindes schreibt, veröffentlicht sie im Nachhinein unter dem Titel Letters written during a short stay in Sweden, Norway and Denmark. Durch diese und andere Reisen und Publikationen gilt sie heute als Vorreiterin feministischer Theorie und Lebenspraxis. Nadja Bournonville und Anne Kulbatzki sind ihr nachgereist. Entstanden sind 3 Briefe und eine Liste mit Adressatinnen. Wenn du Eine* davon bist: is doch schön!

Mary

www.raphaelgrisey.net

Film by director Raphaël Grisey in collaboration with photographer Bouba Touré, chronicles the ongoing developments and practices of Somankidi Coura, a self-organized farming cooperative along the Senegal River. Somankidi Coura was founded in 1977 by a group of former migrant workers and activists who had been living in France following the Sahel drought of 1973. The film focuses on the historical struggles of migrant workers in France, rural infrastructures and networks and the afterlife of colonial developmentalism and forced labor.

textem-verlag.de

www.tromsokunstforening.no

Box with 36 cards with tritone illustrations on chromo board, a leaflet and a poster
+ Rübenkampagne

hartmann-books.com

www.lukaszerbst.com

www.verlag-kettler.de

www.tekniskindustri.no

Eintägiges Performancefestival auf dem Künstlerhof Frohnau, kuratiert von SHIN Hyo Jin und Oscar Otto Hernandez Ruiz.

www.kuenstlerhof-frohnau.de

vnf7239.work

Marcel Duchamp’s ideas, concepts and works fell on fertile ground in the Swedish art scene of the 1950s and 1960s. Carl Fredrik Reuterswärd and Öyvind Fahlström followed in the footsteps of the conceptual artist andearly pioneer of Dadaism and Surrealism.
Curators: Thomas Millroth, Norbert Nobis, Carina Plath, Paula Schwerdtfeger

www.sprengel-museum.de

https://www.leopoldhoeschmuseum.de/

https://www.museumsvereindueren.de/

31.07. - 07.08.2022

photography
Andrea Grützner

drawing and painting
Benjamin Dittrich

graphic design, typography
Anja Kaiser

more detailed informations:

Libken

kinoprojekt.blogspot.de

https://tumo.gbv.de/

forum-wissen.de

Postkoloniale Perspektiven auf Pflanzen im Georg Forster Herbarium (1772-75). Die Ausstellung ist das Ergebnis des Teilprojekts Sammeln erforschen an der Hochschule für Technik und Wirtschaft Berlin, in Kooperation mit der Zentralen Kustodie der Universität Göttingen.

leopoldhoeschmuseum.de

https://polychrom.berlin/de

Ernst Ludwig Kirchner showed his studio in his painting Studio Corner (1919/1920),
giving viewers insight into the way he made his art. The texts in the MOSAIC audio station analyze the work
from a post-colonial perspective and reflect upon the continued existence of colonial structures in the present.

Printed matter for artist Inga Kerber published by Lubok Verlag Leipzig.
Image Credits: Inga Kerber

Still Fields

Columbiadamm Cemetery is a repository of German
imperial, colonial and genocidal history. It is
Germany’s first Muslim cemetery, the main historical
military cemetery in Berlin and the site of the
“Hererostein” (Herero Stone), a memorial that honors
German perpetrators of colonial violence against the
Herero and Nama people in what is now Namibia.
Through conversation with activists, historians,
cultural workers, cemetery staff and visitors, Still Fields
examines the cemetery’s unrecognized and
contentious layers of history, which lie incongruously
alongside one another.

https://www.leopoldhoeschmuseum.de/

In the following texts authors, artists, art interpreters, and curators look at selected works in the collection. The articles will open up new perspectives on past social discussions that continue to affect the present. Because of the variety of topics and viewpoints, including post- and de-colonialism, feminism, queer studies, and culture theory, the texts can be seen as PRISMS that refract the beam of art history.

For three days in August, Redeem will sojourn in Haus der Statistik with a line-up of readings, talks, films, live performances, and more.

Haus der Statistik

logo design:
Nancy Naser Al Deen

www.kuenstlerhof-frohnau.de

kunstpavillon-im-gruenen.org

web design in collaboration
with Anna-Lena von Helldorff
( www.ingebrauch.de )

www.anmerkungen-zum-index.de
www.spectorbooks.com

www.wirwir.org

www.museion.it

www.kuenstlerhof-frohnau.de

Workshop
Teleheimarbeit

Universität Greifswald
5.- 11.2.2021

-----

Homeoffice (1986) | Arbeiten von zu hause | SRF Archiv 1986
https://www.youtube.com/watch?v=AajWXkydUkY

---

Im Kreise der Familie zu arbeiten, fände ich sehr angenehm. Mein Favorit wäre ganz klar die Kugelschreibermontage von Zuhause aus. Gerade als ein langjähriger Sammler von Kulis würde ich mich über eine solche Heimarbeit natürlich sehr freuen.
Klaus, 47 Jahre, Düsseldorf

https://www.leopoldhoeschmuseum.de/

www.tromsokunstforening.no

www.nadjabournonville.se

www.fotohof.net

LP, poster, postcards for the Berlin band Lonski & Classen:

bandcamp

Osthafen

www.kodoji.com

www.k-strich.de

Workshop
Voyage Voyage

Universität Greifswald
1.- 8.10.2020

www.biennial.ge

www.anmerkungen-zum-index.de

Subheadings and poster for the film
Sur les pavés l’asphalte

Two shows showcase works by the recently graduated artist that are now entering the new step in their practices.
The title of the show borrows the concept of the word “liminality” from twentieth century folklorist Arnold van Gennep and Victor Turner.
In anthropology, liminality (from the Latin word līmen, meaning "a threshold") is the quality of ambiguity or disorientation that occurs in the middle stage of a rite of passage, when participants no longer hold their pre-ritual status but have not yet begun the transition to the status they will hold when the rite is complete.

UiT

Workshop

Universität Greifswald
14.-19.9.2020
 

2.–9.8.2020

«Am Schönsten ist das Gleichgewicht, kurz bevor's zusammenbricht.» (Fischli/Weiss)

photography
Sara-Lena Maierhofer

drawing and painting
Sebastian Speckmann

graphic design, typography
Pascal Storz

more detailed informations:

Libken

www.stianadlandsvik.net

www.anmerkungen-zum-index.de
www.spectorbooks.com

www.tanyaleighton.com

www.alinasimmelbauer.com

www.tromsokunstforening.no

www.tempelhoferwald.berlin

The Tempelhof airport is located without Vision in the middle of the city.
He is a unique and difficult building, one of the largest in the world.
The previous participation process for the subsequent use has come to a standstill.

Der Flughafen Tempelhof liegt ohne Vision in der Mitte der Stadt.
Er ist ein einzigartiges und schwieriges Gebäude, eines der größten der Welt.
Der bisherige Partizipationsprozess für die Nachnutzung steht still.

www.sarawallgren.com
www.rojal.se

www.lukaszerbst.de

www.gnaudschun.de

www.anmerkungen-zum-index.de
www.farishams.com

Filmsubtitles and posters for the exhibition

die insel
skulpturenmuseum galskasten Marl

www.tempelhoferwald.berlin

poster, menu, napkins for the one-time event
das Mahl

www.siska.info

www.hartmannprojects.com

www.libken.de

www.larissarosalackner.de

in collaboration with
Daniela Weirich ( www.daniela-weirich.de )

www.k-strich.de

www.tromsokunstforening.no

www.libken.de

www.libken.de

Third Libken Summer Academy
12.8.-18.8.2018

with
Nadja Bournonville
Stian Ådlandsvik + Lutz-Rainer Müller
a r c
 

www.kofinkschels.de

webpage for the german architect duo
Simon Jüttner and Sebastian Kofink
 

www.janaengel.com

www.polart.cargocollective.com

webpage for the polart residence program

PolArt is an artist in residence program where a group of early career artists is invited to join the scientific community
of marine biologists during their expeditions in the Arctic ocean. The residency ran annually from 2007-2013. Twenty-two artists participated during these years.
Every year a group show, the PolArt exhibition, was part of the Tromsø Kunstforening program.
Since then Tromsø Kunstforening has wanted to establish a platform for the participating artists to work more in-depth.
Our curator/public programs manager Hanne Gudrun Gulljord has been working with this as part of an in MA Curatorial practice
at the Faculty of Fine Art, Music and Design, University of Bergen.
 

www.libken.de

design a r c  +  paul thalmeier


Sounding Architecture critically examines the ­liminal space where art, architecture and music might overlap. Research in this case takes the form of bold new initiatives in cross-disciplinary collaborations, as historically, sound and architectural principles are discretized, rarely considered as contingent overlapping parameters in each field, though, in truth, they are. Anyone who has heard a piece of music in a space can learn to be sensitive to the fact that the architecture is a ­contributing factor to the ­resonance and, ­therefore, the music enfolding in a space. With the realization that architecture is ostensibly an instrument in all sonic ­conditions, architecture can then be factored into the musical composition.

design a r c  +  paul thalmeier

Arne Schmitt:
Basalt.
Ursprung - Gebrauch - Überhöhung

www.anmerkungen-zum-index.de
www.spectorbooks.com

www.rozbehasmani.de

www.k-strich.de

poster and postcard for the exhibition
The Pool
9. — 18. März 2018
Haus 1
Waterloo Ufer Berlin

n the ruins of baalbeck studios

february 17 2018
2 pm
Forum Expanded
international premiere

Akademie der Künste Berlin

www.siska.info

www.melkgalleri.no
www.johannsson.org

www.lichthof-theater.de

Benefizkonzert Flüchtlingshilfe

Nikodemus Kirche Berlin

www.tekniskindustri.no

www.tromsokunstforening.no

design arc + paul thalmeier
www.hkia-journal.net

www.nilsmollenhauer.com

www.lab-bode.de

20.-22.October 2017 Berlin

international symposium on current developments in analog fil culture.
Film in the Present Tense is the closing event of RE MI.

Organised by LaborBerlin in cooperation with the Film Institute of the Berlin University of the Arts, Film in the Present Tense will bring together filmmakers, artists, programmers, technicians and representatives from museums, independent film labs and cinemas to address these questions and formulate ideas, possibilities and plans of action for keeping film current and alive. In addition to six panel discussions, there will be screenings and expanded cinema performances presenting some of the ways in which film continues to exist in the present tense.

www.laborberlin-film.org
www.re-mi.eu

www.hanneswiedemann.com

www.kinoprojekt.blogspot.de

www.libken.de
 

Second Libken Summer Academy
29.7.-5.8.2017

with
Paula Winkler + Alexander Gehring
Christine Gensheimer + Lars Rosenbohm
a r c
 

Informations sheets for an action parcour in the Bode-Museum
www.lab-bode.de

www.lab-bode.de

Magazine in Plastic envelope with screen print

www.realplaces.net

www.libken.de

www.waluszko.eu

www.hkia-journal.net

www.anmerkungen-zum-index.de

Shop Display for/with Tschau-Tschuessi
at Galerie fuer Zeitgenoessische Kunst (GFZK) Leipzig
 

www.tschau-tschuessi.de
www.gfzk.de


Pictures 7-12 generously provided by
Studio Jo Zarth
www.zarthcore.de

www.galerieburster.com

www.zgalleryarts.com
www.stianadlandsvik.net

www.tromsokunstforening.no

webpage for the german-norwegian artist duo
Lutz-Rainer Müller and Stian Ådlandsvik

www.l-plus-s.com

www.stephanboegel.com

www.hartmannprojects.com

The publication is published to accompany Davids works at the exhibition: Graduale 16:
No New Kind of Duck, curated by Jan Verwoert

www.lizzamaydavid.com
www.kerberverlag.com

www.awk.nrw.de

www.lichthof-theater.de

Cosmos - Turist - National
workshop in Chisinau, Moldava
6.10.-12.10.2016

Ghidul în calitate de intermediar între Air si B.
www.akzente.md

webpage for the artist group DELIBERATIVA.

Anke Dyes
Heike Geißler
Anna-Lena von Helldorff

www.fragenfueralle.de

www.libken.de

first Libken Summer Academy
22.8.-28.8.2016

with
Nadja Bournonville+ Alexander Gehring
Grit Hachmeister + Pauline recke
a r c

 

www.libken.de

Catalogue for the Exhibition:
Timm Rautert. Bildanalytische Photographie 1968-1974
2.7.-25.9.2016
Kupferstich-Kabinett Dresden

www.spectorbooks.com

Exhibition Design and Printed-matter:

Timm Rautert. Bildanalytische Photographie 1968-1974

2.7.-25.9.2016
Kupferstich-Kabinett Dresden:

timm rautert. bildanalytische photographie 1968-1974

2.7.-25.9.2016
Kupferstich-Kabinett Dresden:

poster, invitation, leaflet

in collaboration with
Daniela Weirich www.daniela-weirich.de

A House In Ninh Hoa
poster, postcard, dvd

a film by Nguyen Phuong-Dan and Philip Widmann
 

www.a-house-in-ninh-hoa.com
www.pong-berlin.de

www.lubok.de

Plakat und Postkarte für Benefizkonzert
der Flüchtlingshilfe

www.nikodemus-berlin.de
www.chance-berlin.com

www.kurant.cc
www.tiff.no

kurant, divan and cinema during TIFF
film program during Tromsø International Film Festival

an intimate and collective experience, in a cinema where seats have been replaced by one large divan.
Three nights of unique screenings, each with films selected especially for the setting.
A collaboration between film curator Sarah Schipschack, artist and architect Håvard Arnhoff and Kurant.

www.k-strich.de
www.lubok.de

www.tromsokunstforening.no

www.galerieburster.com

www.lubok.de

www.kunstkulturquartier.de
www.planmee.de

Exhibition design in collaboration
with Anna-Lena von Helldorff
www.ingebrauch.de

www.thomastaube.de
www.spectorbooks.com

www.anmerkungen-zum-index.de
www.spectorbooks.com

Arne Schmitt / Thorsten Krämer:
Die neue Ungleichheit.
Ein Bildband entlang neoliberaler Architekturen


 

www.akzente.md

Artisti de circ sub cupola
workshop in Chisinau, Moldava
5.-9.10.2015

 

www.libken.de

midnight screenings in Arles / France
Nadja Bournonville, Boris Eldagsen and Alexander Gehring at the Photofestival "Rencontre d´Arles"

www.nadjabournonville.se
www.eldagsen.com
www.alexandergehring.com

Typography for the artist book
"Laughing Inverts"

www.lenarosahaendle.de
www.kehrerverlag.de

der arbeitsschuh drückt

zur geschichte der tagungsgetränke
the career of conference beverages

1966
Gründung des Christinen Brunnen. Am 1. Mai 1966 läuft die erste Flasche vom Produktionsband. Es folgt eine rasante Aufwärtsentwicklung, verbunden mit einer starken Kapazitäts- und Sortimentsausweitung.

1978
Als erster Mineralbrunnen füllt Christinen Brunnen eine 0,33l-Leichtglas- Recyclingflasche (Quickdrinkflasche) ab. Eine der erfolgreichsten Produkt- entwicklungen in der Firmengeschichte.


48 hours neukölln
26 June - 28 june 2015
Werra Strasse 1
12059 Berlin
 

Exhibition in Oslo with Stian Ådlandsvik

www.stianadlandsvik.net
www.gallerik.com

http://www.siska.info/p/milk-bar-oasis.html

www.rebeccawilton.de

www.galerieburster.com

sundowner is a series of events gathering peolpe together every other tuesday in front of neue nationalgalerie before sunset to enjoy the presentation of different works


# 9 nico ruffo + sandrino scheidegger
don't talk to strangers / 8.9.

# 8 solmaz, shirana + setareh shabazi
bring your sister / 1.9.

# 7 pascal kress - The Book of ABCs / 18.8.

# 6 claire waffel + Pere Ferrera Bertran
kommerz was yesterday / 11.8.

# 5 Azonto Special / 4.8.

# 4 Christian Blumberg + Siska - e.d.l. / 21.7.

# 3 albrecht pischel in concert / 30.6.

# 2 nils mollenhauer - Untitled (Left Blank #9)
16.6.

# 1 rebecca wilton - la fayette / 21.4.

www.libken.de
 

artist in residence program on the countryside nearby Berlin, in the Uckermark.
Located in the centre of wide fields, lakes and ecological agriculture we finally found the perfect building for our upcoming institution in the tiny village Böckenberg, 1½ h from Berlin. The building consists of 24 apartments, various garages and a huge garden with plenty of small sheds and shelters.

www.kn-context.com

www.tromsokunstforening.no

http://www.koopstadt.de

exhibition design and printed matter
DISPOZIÈII ÃN TIMP ÈI SPAÈIU / dispositions in time and space
27 november - 28 march 2015
http://mnac.ro

Beauty and Truth /
Cáppatvuohta ja duohtavuohta

Dialogues between Sami art and art historical research - three academic articles, eleven
artists´ texts and documentation of the works specially commissioned for the exhibition

www.tromsokunstforening.no
www.orkana.no

www.institutbuchkunst.hgb-leipzig.de

Über 55 000 Besucher besichtigten bisher in Leipzig die seit fünf Jahren bestehende Iskra-Gedenkstätte, in der am 24. Dezember 1900 die erste Nummer der von Lenin geschaffenen Zeitung Iskra fertiggestellt wurde. 1

Der Publikation Iskra. Roman frei nach Tatsachen. liegt die Beschäftigung mit der 1900/01 von Lenin herausgegebenen und in Probstheida gedruckten Zeitung Iskra zugrunde und mehr noch, die an dieser Stelle 1956 eröffneten Iskra-Gedenkstätte. Das Buch versammelt in besonderer Weise bisher ungesichtetes Material des stadtgeschicht- lichen Museums Leipzig und montiert die gewonnenen Fragmente zu einem roman über den Aufbau eines Museums und der Rekon- struktion eines biografischen Details, einer mediengeschichtlichen Marginalie in der politischen Karriere W.I. Lenins.

Das Studium der weitverzweigten Verbindun- gen, die zur Vorbereitung des geheimen Drucks einer fremdsprachigen Zeitung mit fremdartigen Lettern sowie zu deren illegalem Versand geknüpft werden mußten, mutet spannend an, wie die Lektüre eines Kriminalromans. 2

1 Wernicke, Kurt in: ...wieder mal ins Museum. Die Iskra in der Russenstraße,
Für dich Nr. 18, 1972
2 o. V.: LVZ, 27. 12. 1960

all participants and posters

http://tinyurl.com/24posters2014

www.d21-leipzig.de

www.vonbirken.de

www.galeriekleindienst.de

www.lubok.de

Graphic identity for burster gallery
-letterhead
-envelope
-card

www.galerieburster.com

secret to tell / 48 hours neukölln

27 June 2014, Opening at 20:15 pm

28 june + 29 june 10 am - midnight
werra strasse 1


From the cliffs of passion to the coast of dreams.
A typographic piece along titles of Jane Fraser in three parts.

Idea + drawings Sebastian Gögel
Printed + composed by ARC

www.sebgoegel.com

Leaflets for Volta Art fair / Basel